Again, it comes down to goals. As a prime lens, users cannot zoom on this lens. That’s our job, as visual storytellers. I’ve been shooting most recent Stark Insider videos using this one, and it’s never let me down. Main Results. I was considering getting the G85 and wanted to dabble in shooting more family video. I have not tested it. The imagery captured using this lens has almost no distortions and color fringing. Some of the best lenses on the market, such as the “L” series from Canon, can cost thousands of dollars. And a seemingly endless array of manufacturers (Canon, Tamron, Sigma, Zeiss, etc.). Note: wait for the reviews on this one just to be sure before you buy. The lenses aperture is de-clicked which means that cinematographers will enjoy a lens whose movement is fluid and … The Micro Four Thirds lenses discussed in our list above are impeccably constructed, combining their ingenious designs with magnificent optical quality and superior build quality. Again, no image stabilization. Okay, then, onto the gear! Phenomenal performance. It’s on my 70D about 90% of the time. While it is not necessarily the newest lens as far as technology is concerned, this diagonal fisheye lens is still a solid choice for a lot of videographers as it brags features such as its 8mm- focal length that is effective to 16mm. The lenses sheet filter which is mounted from the rear is occasionally an impediment for videographers and as such is not ideal. Everything is manual. The Sony FE 20mm F1.8 G is a large-aperture ultra-wide-angle prime lens meant for portraits, astrophotography, landscape and street photography, as well as video. The lens is dust and splash-proof, which makes it ideal for shooting in varying weather. Keep that in mind. It retains its sharpness despite the focal length in use. Want to get fancier without breaking the bank? If you’re getting into DSLR video for the first time I highly recommend you look for a lens with image stabilization. The craziest lens deal of all time. For Stark Insider, we shoot food & wine, backstage theater, and sit-down interview videos. We hope that you found the list to be insightful as you hunt for a Micro Four Thirds lens that will have you delivering impeccable videos. Its F/2.8 aperture remains constant regardless of a user’s range. It depends on how you’re planning to use the camera. Keep in mind most Canon DSLRs feature a APS-C sensor, meaning they are not full frame (like the Canon 5D Mk III). In this situation, prime lenses (those with fixed focal lengths) are usually the best as they offer the sharpest quality image. Model: 6310B002. For that you get quality glass that belies its price that works wonders in low light thanks to its speed (1.8). Unless you are familiar with your filming needs, it is almost impossible to pick a Micro Four Thirds (MFT) lens. I love all that stuff… but my advice is not to get too fixated with all the infatuating minutia. If you were to poll a bunch of photographers and ask them what's the first lens a beginner photographer should buy, a good portion of them will say a 50mm "nifty fifty" prime lens. Declaring these particular lenses as “best” for DSLR video is a bit of a misnomer. I cringe at my early work, and I cringe often at my recent work – so many mistakes. Again, that filmic look! Standard Lenses One of the most common options for prime glass is the standard or normal lens. Wrong’s What I Do Best – San Francisco Art Institute from Stark Insider on Vimeo. It is extremely compact and has an exceptionally small body. I like this one for filming people from a distance. Rating: 4.8 out of 5 Stars with 275 reviews fitted with an inbuilt hood, and cringe. More family video best as they offer prime lens for video sharpest quality image one for filming people from a distance have. ( 1.8 ) work great for shooting in low light I ’ recommend... 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